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Head Over Heels

By Ed Staskus

   Mr. Moto knew a straight cat when he saw one so when he saw Bumpy Williams stepping out of a cab and walking up to the house, he didn’t sweat it. He could see black and white and blue colors best, like all cats. He wasn’t good with reds and greens. Bumpy looked like a blues man to him. Mr. Moto could feel boneyard blues in his bones when he heard 12 bars thrumming.

   He didn’t know a thing about baseball but knew he could steal home plate faster than Jackie Robinson could blink. He knew Dottie was big on stickball. He didn’t know she was going to Ebbets Field this afternoon for the first game of the World Series between the Bums and the Bombers.

   Dottie was waiting downstairs on the inside stairs. When she saw Bumpy reaching for the door, the cab tail piping smoke, she jumped up and barged outside.

   “I’m ready!”

   She was wearing a Brooklyn Dodgers pinback button on her shirt, had Pee Wee Reese’s 1956 Topps baseball card in her hand, and a blue cap with Chief Wahoo inside a red wishbone “C” on top of her head.

   “You got buck teeth on your head,” Bumpy said.

   “My dad is from Cleveland,” Dottie said. “He gave it to me. He said we have to stay true to our roots. I don’t let anybody say anything about it when I’m wearing it.” She gave Bumpy a pointed look.

   “Yes, ma’am,” he said, and pushed the brim down.

   “I’m hungry,” Dottie said, looking up.

   “So am I. How are you with waffles?”

   “I love waffles.”  

   “Me too. Let’s go.”

   When they drove past the Socony Mobil building, built that year at 42nd Street between Lexington and Third Avenue, Dottie pointed out the window of the cab.

   “It’s a shiny waffle building.”

   The world’s first stainless steel skyscraper was sheathed in thousands of panels studded with pyramid designs. The architectural critic Lewis Mumford from Flushing, Queens, wrote that the building looked like it had the measles. He thought the ideal city was the medieval city. He didn’t say what living in a medieval city without indoor plumbing and running water and power at the push of a button might be like. If she knew who he was, Dottie would have told him to go back to Flushing.

   “You said the ballpark, right?” the hook-nosed cabbie asked, the toothpick in his mouth staying still as a crack in cement, stuck between two close-set teeth.

   “Close enough but drop us off at Flatbush and Lincoln.”

   “Can do.”

   Childs Restaurant on the northwest corner was a two-story building with a grimy fish window featuring an urn facing Flatbush Avenue. A red-faced grill cook was in the window flap-jacking.

   “That’s where he’s going to make our waffles,” Bumpy said, swinging the front door open for Dottie. They sat in a booth. It was purple vinyl with an upside-down white triangle on the back rest. The table was pale green flecked with small white slashes.

   “No need for a bill of fare,” Bumpy said to the waitress. “Two big plates of waffles, butter and syrup, joe for me and lemonade for the young lady.”

   “I don’t want lemonade.” Dottie said.

   “What do you want?”

   “Squirt.”

   “That’s the same as lemonade.”

   “No, it’s not, it’s grapefruit, and it’s carbonated. And one more thing, please make mine a Belgian waffle.”

   The waitress slid away, smoothing her white apron, which matched her white collar and white trim around the sleeves. She looked like a maid in a big house. She checked her no-nonsense non-slip work shoes for coffee stains.

   “Well cut my legs off and call me Shorty if it isn’t Bumpy Williams,” a tall handsome more-or-less Negro man said stopping at their table.

   Bumpy and Dottie looked up.

   “If it isn’t my man Adam who still has never done nothing for me,” Bumpy said. “How are you?”

   “Keeping the faith, baby, keeping the faith,” said Adam Clayton Powell.

   “How’s Hazel?” Bumpy asked, looking the leggy lady standing next to the congressman up and down and up again.

   “My secretary,” Adam Powell said, nodding at the curves next to him.

   “Hazel?”

   “She’s better.”

   “See her much?”

   “Here and there,” he said.

   Adam Powell’s wife Hazel Scott was summoned and appeared before the House Un-American Activities Committee six years earlier. She was a classical and jazz piano player and singer and hosted a variety show on TV. She denied “ever knowingly being connected with the Communist Party or any of its front organizations.” She admitted being associated with socialists, a group she said that “has hated Communists longer and more fiercely than any other.” When the Red Scare in Congress leaned on her, she shot back that they should try “democratic methods to eliminate a good many irresponsible charges.” 

   They didn’t like that and started huffing and puffing. Hazel lamented that entertainers were already “covered with the mud of slander and the filth of scandal” by congressional goons trying to prove their loyalty to the United States. 

   Her TV show “The Hazel Scott Show” was cancelled the next week. She suffered a nervous breakdown. The next three four years she played on and off with Charles Mingus and Max Roach, more often in Europe than the United States. 

   “I think she might be on her way to France, maybe for good,” Adam Powell said.

   “Are you a Negro like Bumpy,” Dottie asked him, looking into his hazel eyes.

   “No, honey, I’m a man who is part African, part German, and part American Indian.”

   “What part of you are you today?”

   “The Bums part of me,” he laughed.

   Dottie pointed to the button on her shirt.

   “You and me both, sister,” he said.

   “I hear you came out for Ike,” Bumpy said.

   “I did, and I’ve been taking a lot of heat for it, but I got some great seats.”

Bumpy could have told him to stay as far away from the president as possible but he didn’t. He wasn’t loose-lipped when it came to business, especially when business was a bomb that might blow Ike up. His job was to look out for Dottie, not for politicians, who were always looking out for themselves, anyway. He liked Ike, which made him different. He looked and saw waffles coming their way.

   “See you at the ballpark, then.”

   “How’s that? One of your numbers hit to pay for the ticket?”

   “No, that’s for chumps. Dottie here is going to be on the Happy Felton TV show before the game. I’m her escort.”

   “Good for you, Dottie, and put a good word in for your congressman.”

   “She lives in Hell’s Kitchen, not Harlem,” Bumpy said.

   “Close enough,” the congressman said, and wrapping his arm around the waist of his secretary, walked to his table, where a table tent “Reserved” sign sat.

   “Why did he want me to say something about him?” Dottie asked.

   “He’s a politician, a Washington politician. He never spends his own money except by accident, so a good word free of charge on TV is like gold to him.”

   “Oh, he’s a government man. Dad gets sour when anybody talks about the government.”

   “Honey just be glad we aren’t getting all the government we’re paying for,” Bumpy said, and dug into his stack of waffles, topped with fried eggs and bacon. Dottie pushed butter into the pockets of her plate-sized Belgian waffle and poured Sleepy Hollow syrup on it, spreading it with her knife and licking the blade clean.

   “Hey, don’t lick that off your knife, you’ll cut your tongue,” Bumpy said. “How are you going to be able to talk to Pee Wee if that happens?”

   “Oh my gosh!” Dottie exclaimed, putting the knife down in a flash.

   After their late breakfast they walked up Flatbush to Empire Blvd to Ebbets Field. The streets were full of cars and the sidewalks were full of fans. Vendors were everywhere. Scalpers were peddling tickets. The Mounted Police Unit was out in force, their horses leaving piles of shit behind them. The ballpark stood on one square block. It was surrounded on all four sides by shops and apartments and parking lots. 

   “Did you know Bugs Bunny was born in Ebbets Field down the left field foul line?” Bumpy asked Dottie.

   “He was not! Was he? Who says so?”

   “Warner Brothers says so, the outfit he works for. He was born there just before his first cartoon in 1940.”

   “He was born on the field, out in the open?”

   “That’s the way rabbits do it,” Bumpy said. “They build their nests out in the open, in plain sight, the last place anybody would expect, and that keeps them safe.”

   “So, they are right there but nobody can see them?”

   “That’s right, it’s like they’re invisible.”

   “But Bugs always pops up out of a hole.”

   “That’s just in the movies.”

   The stadium was named after Charlie Ebbets, who started out as a ticket taker for the team and grew up to become its owner. He laid the foundation for the new diamond by buying land in secret starting in 1905, more than a thousand small parcels of it, finally accumulating enough ground to build the ballpark eight years later.

   Fans bought tickets at gilded ticket windows, went into the marble rotunda through gilded turnstiles, and if they looked up saw a colossal chandelier with twelve baseball bats holding twelve baseball look-a-like lamps. 

   Dottie flashed her Happy Felton pass at one of the turnstiles.

   “Who’s he?” the ticket taker, flanked by a policeman, asked, pointing at Bumpy.

   “That’s my Uncle Bumpy,” Dottie said.

   “Your uncle?”

   “I work for Duluc Detective, and the boss asked me to watch his kid while she was here, seeing as she was going to be alone.”

   “All right, just don’t let the TV camera see you. You aren’t any Dark Destroyer, not on my beat,” the policeman said.

   “Yes, boss,” Bumpy said.

   “That policeman sounded mean to you,” Dottie said as they walked towards the field.

   “A happy raisin in the sun is a field of dreams, honey, a field of dreams.”

   Happy Felton was glad to see them, especially since they were on time. He explained the skit, where Dottie would stand, and where the camera and microphone would be. He showed her the certificate Pee Wee Reese would be handing her. “Hey, somebody roust Pee Wee, tell him we’re almost ready to go with the girl.” He told Dottie her time in the spotlight would last five minutes and to not be nervous.

   “I’m not nervous,” she said. “But I can’t wait to meet him.”

   He was more, not less what she thought he was going to be. He was taller.

   “You’re not a pee wee,” she said.

   “Not me, kid,” he said.

   Harold Henry Reese was five-foot-ten in his bare feet and pushing nearly 170-pounds. He played small ball, bunting, slashing singles, and stealing bases but he wasn’t a small man. He played the hole, shortstop, was the team captain, and wore number one on the back of his uniform shirt. 

   “He takes charge out there in a way to help all of us, especially the pitchers,” said Jackie Robinson, the team’s second baseman. “When Pee Wee tells us where to play or gives some of us the devil, somehow it is easy to take. He just has a way about him of saying the right thing,”

   Pee Wee and Jackie were the aces in the hole, the men who plugged the gaps between the bags. Not many balls got by them. They played shoulder to shoulder turning double plays. They ignored the catcalls on the road. They made their stand ending innings.

   “I like your button, but I don’t know about that cap,” said Pee Wee.

   “My dad is from Cleveland.” 

   “Well, that makes it all right then. It seems to fit you A-OK.”

   “I took a hot bath in it and wore it until it dried. Then I curved the bill and stuck it in one of my dad’s favorite coffee mugs overnight. The next morning, he was mad about it, and made me wash it out twice.”

   Happy Felton introduced the baseball player and the stickball player to each other and to the TV audience.

   “Your name is Dottie?”

   “Yes.”

   “That’s my wife’s name. Not only that you look a lot like her.”

   Dottie beamed, happy as could be.

   “Would you sign my baseball card?”

   “I sure will.”

   When he did, he congratulated her on her ball skills, she said she was rooting heart and soul for the Dodgers, he presented her with an official Dodger’s Certificate of Achievement, she held it up for the camera, and he pulled a big marble out of his pants pocket, handing it to her.

   “I played marbles when I was your age. This one is a shooter. The smaller ones we called ducks. You’ve heard about playing for keeps.”

   “That’s what my dad always says to do.”

   “That’s what you always do playing marbles, and baseball, and everything else. This one is yours to keep. You never know when it might come in handy.”

   Her five minutes were over in the blink of an eye. Pee Wee Reese glided away, Happy Felton eased her to the side, and Bumpy waved for her to come with him. As they walked down the right field foul line Dottie looked toward the opposite dugout.

   “Look, there’s dad,” Dottie said suddenly, pointing past Bumpy, who was on the inside track. 

   Stan and Ezra were in front of the third base home team dugout talking to a short thickset man smoking a fat cigar. The man pointed down the left field line. Another man, who had been leaning over the dugout, waved, and shouted something, and the cigar waggled him onto the field. The man stepped on the roof of the dugout and jumped down to the field. Stan Ezra the Cigar Man and the jumper huddled, and then went running up the foul line.

   “You stay here,” Bumpy said, starting to go around home plate. Dottie hesitated, but then ran straight across the field, cutting the corner in front of the pitcher’s mound.

   “Oh hell, “Bumpy swore under his breath, and broke into a sprint after her.

Excerpted from “Storm Drain” at http://www.stanriddman.com.

Ed Staskus posts stories on 147 Stanley Street http://www.147stanleystreet.com and Cleveland Daybook http://www.clevelandohiodaybook.com. To get the site’s monthly feature in your in-box click on “Follow.”

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Paint It Black

By Ed Staskus

   “Everybody needs a helping out, if that ain’t what it’s all about, tell me what.” Amy Grant

   Going 9000 miles anywhere is a taxing no picnic undertaking. All roads may lead to the same end, but if you are an Iowa farmgirl since transplanted to Cleveland, Ohio, going to India is not the same as going to Seattle or Boston or someplace in between. It’s going halfway around the world to another continent culture world view.

   Despite economic progress, India remains a poor country. Someone is always begging you for a hand-out. Pushing and shoving is a way of life. Personal space isn’t personal, it’s public. There are a billion Indians. Pick pocketing is common. Grab and go is even more common. Getting anything back after the fact is uncommon. Sanitation and hygiene are lacking. Among other things, Delhi Belly is a pain in the butt.

   If you are a Western woman, staring and unwanted attention are par for the course anyplace anytime day or night.

   When Deanna Black went to India last month, she made the trip look easy. She didn’t stand still for anything. She kept her eye on the prize.

   “I’m not surprised,” said Frank Glass.

   “The first class I ever took taught by Deanna was by accident, it was the hardest yoga class I ever took, and I had to sit out going to Inner Bliss the rest of the week.”

   This from a man who three times a week for three years went to Bikram Yoga classes until he had no more sweat to give.

   Deanna Black is a yoga teacher and holistic fitness trainer. Her point of view is far and wide. She studies engages practices aerobics, Prana Flow, Ashtanga, strength training, TRX, kettle ball, Insanity, Zumba, spinning, West African Dance, hoop dance, slacklining, stand up paddle board yoga, and “any other movement and activity that connects you with your body, your mind, your soul, and the nature around you.” She also assays positive psychology, which comes in handy when you are at the front of the room.

   “Deanna was subbing that class. No one expected what we got,” said Frank. “She wasn’t bossy or demanding. She was actually encouraging, but she kept at it. She’s nothing if not relentless. I remember wondering if I was going to make it.”

   She has studied with Shiva Rea and her Prana Vinyasa teacher training program since 2004. “The classes I create are designed to empower you to do more than you thought possible,” she says. “The benefits are more than meet the eye.”

   She is an old-fashioned modern kind of gal, “balancing and aiming for what I want while leaning on the history of what worked and did not work from the past.”

   The class was a mix of sheer effort vinyasa, endurance strength work, and baling hay, even though Deanna Black has done undergrad and grad coursework in advanced exercise physiology and psychology at Iowa State University. Making your way in the class, however, wasn’t about classwork and observation reading study reflection.

   “It was about peeing on the electric fence for yourself,” said Frank Glass.

   She can back off the pedal to the metal if she has to, as when she volunteers for teaching dance fitness to seniors at the Westside Community House.

   Born and bred in a small town in Iowa, living in the big city of Cleveland since 1995, Deanna describes herself as a “farm girl whose DNA is filled with farmers, teachers, trailblazers, and travelers, and an adventure yogini, thrive activist and bucket list catalyst.”

   It’s a lot to be. It’s a lot like mixed farming.

   Mixed farming is a blend of multiple crops and livestock, maximizing light, moisture, and nutrients, complementing land and labor demands across the year. Erosion is minimized, biodiversity is maintained, water is conserved, and habitats preserved. Monocultural farming may better increase production levels, but capitalism isn’t always the bottom line.

   She goes back to Iowa often, especially during harvest time. Although she isn’t Old McDonald Had a Farm, she helps out in her own way.

   “I can’t even call it a job, it’s so much fun,” she said. “I am taking care of the farm animals, which includes emceeing pig races and goat yoga. I am recess patrolling jumping pillows pedal karts apple slingshots and mazes. I am lifeguarding the corn pool, which includes acro yoga sessions. I am making delicious apple cider donuts and taste testing from our scratch bakery. And I have a team of farmtastic people to help.”

   When she went to the subcontinent she went on behalf of the 88Bikes Foundation.

   “They continue to be instrumental in my trips to India,” said Deanna. “For all the work they do with girls who are survivors or at risk for human trafficking. It is the timing of me doing this work with them on International Women’s Day, to empower, to educate, to let the world know that the female spirit is not to be suppressed. It is to be respected and honored.”

She arrived in Allahabad in early March. It was the day after the Kumbh Mela wrapped up. It had been going on since January 15th, although it’s been going on for centuries. The Kumbh Mela is a mass pilgrimage. In 2013, the last time it was staged in Allahabad, an estimated 120 million people came to it over a 2-month period.

   “Flags were still flying from each country represented,” she said. “Even with many tents and porta potties still up, the area felt abandoned. Still, a feeling of peace washed over me, particularly after I stepped into the Ganga with prayers and gratitude. Afterwards, I visited the birthplace of Indira Gandhi and learned not only how remarkable she was, but how the women of India stood strong all together and made a significant difference. It was an inspiration for leading into International Women’s Day.”

   Indira Gandhi was the first and only female Prime Minister of India. Even though a politician, she had once been a child revolutionary, leading the Monkey Brigade at the age of 12 as part of India’s struggle against the British Empire for self-determination. Despite often criticized as a “goongi goodiya” – dumb doll – she was twice prime minister and was named “Woman of the Millennium” by the BBC.

    She was assassinated by her bodyguards in 1984.

   The brainchild of Dan Austin, a writer, filmmaker, and one-time bicycle deliveryman, the non-profit 88Bikes was born in 2007. In return for a sponsorship of $88.00, a bike is delivered to someone somewhere in the developing world. The child gets a photo of the person who donated the bike, and the donor gets a photo of the child who received it.

   “We feel strongly that you can connect people across the world like this,” he has said. “I think that’s the root of what 88Bikes is about, this one-to-one connection.”

   It’s many thousands of bikes going to Peru, Cambodia, Mongolia, Ghana, India, two wheels at a time.

   Deanna is aware of how much awareness it takes to get a bicycle into the hands of a kid with little chance of scoring one for him or herself. That’s why she goes halfway around the world. “It’s joy-based philanthropy,” she said. “What brings us joy? Connection!”

   “The happiness they deserve is now within reach,” says Dan Austin.

   Before she could get 88Bikes on the road, however, she found herself speaking in front of a large group in Allahabad gathered for the Run4Niine.

   “The race is in recognition that thoughts and views on menstruation in India need to change,” said Deanna. “To say that this conversation is taboo is to say a conversation about women is taboo. To say menstruation is dirty is to say a girl or woman is dirty. It is beyond time to change this thinking.”

   Even though menstruation is a natural phenomenon, like blinking heartbeats hairiness and breasts filled with milk, it is problematic in many parts of India. “Close to 70% of Indian women risk getting severe infection, at times causing death, due to poverty, ignorance, and shame attached to their menstruation cycle,” said Swapna Majumdar, a New Delhi journalist who writes on gender and development.

   When they are menstruating, Indian women are not supposed to touch a holy book, handle kitchen utensils, or look at pickles. Demystifying what is supposedly taboo about periods and creating awareness about hygiene has been an uphill struggle in the country. More than 30% of girls in northern India drop out of school after they start menstruating.

   “It is connection with birth and the cycle of life,” said Deanna. “It’s not something to be left unsaid. It’s part of the sacred flow of womanhood.”

   The next day was the day to get into the flow of pedal power.

   “I’m super excited,” she said. “Tomorrow one hundred girls are getting their own bicycle.” She and her companions, Ruby and Ramon of the Blossomy Project, were outside Kolkotta. About 500 miles east of Allahabad, on the Bay of Bengal, it used to be Calcutta, once an East India trading post, now the capital of West Bengal state, India’s third-largest city with nearly 5 million inhabitants.  It is regarded as the artistic, cultural, and intellectual center of the country.

   It’s also the home of Mother House, headquarters of the Missionaries of Charity, founded by Mother Teresa, who is buried there.

   The Blossomy Project is a non-profit organization that works to empower survivors of human trafficking through art-based programs. Since riding a bike is as much an art as a skill, they were partnering with 88Bikes.

   Deanna had a big envelope full of donor cards.

   “Each card is one of who donated to 88Bikes. I am taking a road trip to meet these girls and give them their cards with their bikes.”

   It was bright day in the 90s. March is the sunniest month of the year on the northern east coast of India, although it is also one of the wettest. A heavy rain and hailstorm had passed by a few days earlier.

   “Watch out boys,” said Deanna, giving a donor card and bike to the first young girl. “This girl has got a bike with things to do and places to go.”

   The first girl hopped on her bike and raced away.

   “She took off immediately to school to take a Sanskrit exam. With her bike she can get to school much more easily. These girls also use their bikes to patrol the neighborhood and visit communities and bring awareness about how to stay safe.”

   Ruby and Ramon and Deanna exchanged high fives.

   “Each time I come to Kolkotta, these two have been instrumental in getting me and the bikes connected with girls,” said Deanna. “So happy to have the Blossomy Project. Shout out to Ruby acting as translator and all-out rock star making things happen.”

   “I can go anywhere,” said another girl, getting on her bike.

   Deanna showed her the back of the donor card that came with the bike.

   “You can go anywhere,” it said.

   “I love moments like this,” said Deanna.

   Sunday night was Funday night in Kolkotta. Everyone went out to a show by Tanmoy Bose, a percussionist and tabla player. A native of the city, he was one of the first Indian musicians to meld folk songs and tribal drumming into a large band setting. His own band, the Taal Tantra Experience, signifies worship through rhythm. The music is nothing if not spilling over with life.

   “I’m still amazed with that violin,” said Deanna. “If anyone in Cleveland knows of concerts like this, let me know, I wanna go.”

   After the bikes were distributed, it was time to go home. The return flight to the United States from India doesn’t take two three days, but it might as well, when you’re on the way back to your own digs. Once on native ground, she exclaimed, checking out the run-up to the NCAA tournament, “Yeeeaaasss!!! Nothing like coming back to the States during March Madness!”

A few days later she got a Facebook message from Amita Gour, one of the girls who had    gotten a bike.

   “Thanks for your visit to Allahabad, Deanna,” she wrote.

   “So happy to spend time with you and your family,” Deanna wrote back. “Thank you so very much for all the time you spent with me showing me around. And thrilled about your new bike.”

   The thrill is in lending a helping hand.

Ed Staskus posts on 147 Stanley Street http://www.147stanleystreet.com and Made in Cleveland http://www.clevelandohiodaybook.com. To get the site’s monthly feature in your in-box click on “Follow.”

Exercise for the Elite

By Ed Staskus

All women carry a purse on their persons, with their money, car keys, cell phones, and paraphernalia close at hand. They buy their bags at big box marts or department stores or on hundreds of web sites. Their handbags range from seventy-nine cent beaded totes ordered on e-bay to luxury-crafted Louis Vuitton’s found in quiet malls in select cities.

One late afternoon after work I unrolled my yoga mat at a nearby yoga studio, early for class, and settled into child’s pose to loosen up my back. Laying my hands palms up on the floor beside me and letting the business day drain away, I idly listened to two ladies next to me talking. As I rolled up and reached for my toes in a seated forward bend, one of the young women asked the other one about the purse she had secured behind her mat.

The lady with the purse, sitting cross-legged, explained that she didn’t want to leave it in the lobby at Inner Bliss in Rocky River, Ohio, but preferred to have it near her, where she could keep an eye on it. She looked back at it.

It was still there.

“It’s a really nice purse,” said the other one, both of them now looking at the leather bag.

“Thanks, it’s Italian.”

“Oh, where did you get it?’

“In Italy, when I was in Florence. I just had to have it when I saw it.”

I straightened up, sat back on my heels, and snuck a peek at the purse. I can’t really tell one purse from another, but I can tell cheap from expensive.

The purse from Florence oozed expensive.

Inner Bliss, just west of Cleveland, draws its customers from Rocky River and Bay Village, two suburbs on the south shore of Lake Erie. The median household income of Rocky River is $61,000 and the median household income of Bay Village is $83,000. The median income of Cleveland households, just one suburb away to the east, is $27,000.

Almost no one practicing yoga at Inner Bliss is from Cleveland.

In fact, very few Clevelanders practice yoga at all. There are only a handful of yoga studios in the city itself, and those are downtown or near the big universities, catering to the hip and privileged. Yoga in Cleveland is not in Cleveland, but rather in the suburbs, in up-scale neighborhoods like Westlake, Beachwood, and Hudson.

On the other hand Cleveland’s most populous suburb, Parma, a working-class community of auto and steel workers three times bigger than Rocky River and Bay Village put together, does not have a single yoga studio inside its borders.

Inner Bliss, meanwhile, has more than forty classes on its weekly calendar.

Yoga studios in cities nationwide, from San Francisco, Austin, Chicago, and New York reveal the same demographics.  “In general, yoga is a work-out pursued by the well-off,” says Amy Beth Treciokas of Yoga Now in Chicago. Yoga is practiced by the upper classes, not the middle class, and even less so among minorities like blacks and Hispanics and the poor.

“Yoga has become almost a household word now in the United States,” says Aaron Vega of VegaYoga, a struggling studio in a sizable Hispanic neighborhood in Holyoke, Massachusetts. “But it’s an exclusive club.” When Michelle Buteau, the stand-up comedienne, wrote on her blog Who Said It, “Yes, I said it, I’m going to yoga. A black woman, who is not Oprah or Gayle is going to yoga, say what?” it was funny in a way the funniest things are: it was true.

More than a third of the people who frequent yoga studios in the United States have household incomes of $75,000-or-more, while one out of six have an income of more than $100,000. Their levels of education are equally high: 72% of them college-educated, and 27% of them holding post-graduate degrees. Rich people are more likely to exercise than their poorer neighbors, according to a 2009 Gallup poll, partly explaining why yoga studio parking lots overflow with BMW’s and hybrid SUV’s, rather than Fords and Kias.

American yogis spend upwards of 6 billion dollars a year on classes and clothes and designer mats. “Something that has bugged me about yoga for a long time,” writes Yogi Sip on her blog Confessions of a Wayward Yogi, “is that it is unashamedly aimed at the upper classes.”

They take workshops taught by celebrity teachers who command a high fee, spend four-day weekends at regional gatherings and yoga conferences, and vacation at yoga retreats in the mountains or on seashores around the world. Some yogis even jet set coast-to-coast to practice at select studios.

Practicing asanas at yoga studios in America is, if nothing else, an expensive form of exercise that only some can afford, in more ways than one. “I think it’s right to say that the people who typically take yoga are white, with disposable income, and more importantly with disposable time,” says Courtney Bender, a professor in the Department of Religion at Columbia University. “They’re in jobs and professions that allow them enough time to take classes. So there aren’t a lot of working class people, for example.”

Many yoga teachers and studio owners agree that it is the rich who practice yoga. “For the most part, yes, it’s an expensive pursuit, and seen as something for the elite,” says Janet Stone of Janet Stone Yoga in San Francisco. Where studios are located supports her contention. They are in the better neighborhoods of Boston and Los Angeles and all the places in-between where the upper middle class and rich live.

“No one can argue that the Americanization of yoga has taken place and that people with disposable income make up a large percentage of the base that supports the yoga industry in this country. It is true yoga appeals to a predominately white, upwardly mobile segment,” says Gabriel Halpern, founder and director of the Yoga Circle in Chicago.

Some teachers disagree that it is only the rich who can afford to practice at studios. “In my own personal experience of teaching yoga and Yoga Therapy in rural middle America,” says Mary Hilliker of River Flow Yoga in Wausau, Wisconsin, “I have found that my students are rarely elite in income, but that they are certainly rich in heart.”

Even at big studios in big cities there is the sense that a wide stratum of society participates in the practice. “While many of our students are financially well-off, I would guess the majority are middle class and some even lower class,” says Annie Freedom of the Samadhi Center for Yoga and Meditation in Denver. “I see a lot of regular folks in lower tax brackets practicing yoga for greater peace and spiritual awakening.”

But, it may be that the average American cannot afford to exercise at yoga studios. According to the U. S. Census Bureau, the overall median personal income for all Americans over the age of 18 is approximately $26,000. Going to asana classes at a yoga studio three times a week at $12.00 a class would cost $1872.00 a year, or a projected 7% of the average American’s gross income.

“If I wasn’t a teacher,” Deanna Black, an iconoclastic instructor at Fitness One in University Circle, Ohio, told me, “I’m not sure I could afford to practice at a studio.” The average American can join Fitness 19 or Anytime Fitness and work out every day for $29.95 a month. Michael Hellebrekers, a financial consultant for Wells Fargo Bank, estimates that at best monthly and yearly rates for practicing at a local yoga studio are 4 to 5 times more expensive than lifting weights at a franchise gym.

Yoga studios, no matter what else they are, are businesses that need to pay the bills. They may be labors of inspiration and compassion, but they are sole proprietorships and limited-liability corporations, too, and must make sense in terms of profit and loss.  “Creating a studio setting, where the overhead is extensive beyond a student’s comprehension,” says Tammy Lyons of Inner Bliss, “and hiring the staff it takes to even open the doors, isn’t possible without charging what may be outside some people’s ability.”

The economic challenges studios must meet are the same that confront all businesses. “Let’s face it,” says Knekoh Fruge of Yoga Circle Downtown in Los Angeles, “you need a large space and you need to fill it, the rent is high, and teachers have to get paid. That’s why in large part the poor can’t afford it.”

Not everyone believes practicing at yoga studios has anything necessarily to do with yoga. “You’ve got to be kidding,” Ginny Walters, a Cleveland-area Ashtanga teacher said. “Maybe the studios are for the elite, but the practice is for everyone, money or no money.” Putting her pocketbook where her mouth is, Walters teaches many summer evening classes at a Rocky River city park overlooking Lake Erie, charging only a nominal fee.

Tammy Lyons of Inner Bliss, who taught herself yoga from a book checked out of the library, says:  “The practice itself can be done without anything, or at the very least a mat. When I started I went to class maybe once every couple of weeks, and spent less than $12.00 a month.” Yoga asanas, once learned from books, classes, or DVD’s, can be practiced almost anywhere. You don’t even need a roof over your head. Unrolling a mat in the backyard and doing 108-or-less sun salutations is as free as free gets.

Many teachers concede the costs of practicing yoga in a studio setting, but insist it is not a roadblock. “I have always reached out to students who are sincere and need financial assistance to take classes,” says Craig Kurtz of the Iyengar Yoga Center in Denver. “I strive to not let money be the issue that holds students back.”

Many teachers do pro bono work in their communities, at schools and shelters, and even in prisons, because they believe in the good yoga can do. “I would never turn anyone away,” Knekoh Fruge says, “and I guarantee you 90% of the yoga studios would never refuse someone who genuinely needed to practice but didn’t have any money. I offer work exchange, and I teach classes for free to people recently unemployed.”

There is, however, a wide divide between schoolchildren and prisoners, and the rich, and straddling that divide are the working and middle classes. Budgets and necessary economies are everyday issues in their lives. Not disadvantaged enough for charity and not rich enough in time or money to easily take three or four yoga classes a week, they are squeezed from both ends, pressured by desire and conformity. The rich among us may have the means to practice all the asanas we want, but the mass in the middle has harder choices to make.

When I asked Kristen Zarzycki of Inner Bliss whether or not yoga was an elitist activity, she reluctantly agreed it was. But then she added: “Everyone can be elite. Seriously, stop buying junk at Target and take a yoga class instead. Anyone can do it if they want to. I have coffee at Starbucks with my father two or three mornings a week. I could have bought a new sofa by now, with all the drinks we had last year, but I think it’s important to spend time with my dad. It’s the same with yoga.”

What we do with our time and money is what defines us, not what we have or don’t have. What we do, how we act in this life, determines who and what we are. No one practices yoga because they are yogis. They are yogis because they practice yoga. Everyone is a melding of his or her own choices. They are what their priorities have made them. Otherwise they are not themselves; they are someone else’s priorities.

Jean-Paul Sartre said we are all condemned to be free, to choose and to act, adding that we are responsible for everything we do. Not choosing is itself a choice. It is the accepting of conditions as they are. It is choosing the option of letting someone else shape you into a consumer or spectator.

“There is nothing with which every man is so afraid as getting to know how enormously much he is capable of doing and becoming,” said Soren Kierkegaard, the 19th century Danish philosopher. What he meant is that the ontological problem we all face is to find out who we are and what to do with ourselves. It is only in our decisions that we are important. In other words, the choices we make are ultimately what we are made of.

Practicing yoga is not predetermined. We can stay at home watching The Biggest Loser on HD instead of going to a yoga class and doing warrior poses. Americans watch 250 billion hours of TV a year, mesmerized by sports, car chases, and endless commercials for fast food, pharmaceuticals, and the next fad. We can cheer on our favorite celebrities and athletes, buying tickets to their movies and spectacles. Or we can decide to go to a yoga studio and pay $12.00 for a one-hour lesson in how to live our lives as an experience rather than a dog and pony show.

Maybe going to a yoga studio doesn’t have as much to do with money, or the lack of it, as it seems. Maybe it is just a matter of priorities, of deciding what to spend one’s money on. The most recent estimate by Street and Smith Sports Business Journal is that Americans spend upwards of $213 billion annually on sports events, or more than $700 for every man, woman, child, and baby in the country, watching men in bright uniforms throw, bounce, kick, or hit balls with a stick.

We drink $74 billion dollars of beer a year, more than 12 times the amount of money spent on this one alcoholic beverage than all the money spent practicing asanas at a yoga studio. According to the New York Times Magazine, even pornography is more popular than yoga. Americans spend an estimated $12-14 billion dollars a year looking at pictures of naked people.

“Many people avoid yoga because they perceive it as elitist,” said Frank Barnett, a former Cleveland, Ohio-based kirtan teacher.

But, anyone can practice yoga if they want to, not just the elite. Even tight-fisted budgets are only about what we can’t afford. They are not about keeping us from buying what we really need. One way of looking at choices is that they are ways of turning stumbling blocks into stepping-stones. Almost everyone’s resources are limited to the extent that priorities have to be set.  Going to a yoga class is not so much a line item in a budget as it is getting in line at the check-out counter of the mind, body, and spirit store.

“Anybody can afford to take a yoga class if they want to,” says Kristen Zarzycki. “It’s a matter of making it a priority.”

When McDonalds uses yoga and meditation in its advertisements to sell Happy Meals, it does so as grist for the mill to achieve its only goal, which is to generate profits for its shareholders. Yoga is different. “It’s not about getting rich,” says Melissa Johnson of Yoga Ananda in Avondale, Florida. “This is a labor of love for the community. No one is turned away for inability to pay.”

Yoga teachers take empowerment, spiritual, physical, and even economic, out of Sherwood Forest and make life better, not poorer. They even make the rich richer. “I agree it is exercise for the elite, but with certain qualifications,” says Graham Fowler of the Peachtree Yoga Center in Atlanta. “We help everyone become more well-off, more self-aware, confident and balanced, with qualities of heart.”

In the long run we shape our lives and ourselves by what we do. At the Yoga Hive in Atlanta, Renard Mills, a personal chef, started his own yoga practice just as the recession began to impact his business. Bad business or not, he continues to take two classes a week. “I used to be a worrier,” he says, “but I don’t do that anymore. I just breathe. I walk this earth differently now. In my family budget, yoga is the second line item, after food.”

Yoga changes people’s lives for the better, not for the worse. “It’s wonderful to see people get stronger, healthier, more vibrant and happy,” says Tara Rawson of Adashakti Yoga in Riverside, Florida.

Yoga is not about taking from the poor and giving to the rich. It is about making everyone rich. Having disposable money and time is one thing. What we do with the money and time we have is another. It may be true yoga is largely taught in the better neighborhoods of America, but the real goal of American yoga teachers is to make everyone’s neighborhood better.

“Yoga is not elitist!” says Dr. Rajvi Mehta of India’s Yoga Rahasya. “It actually breaks all barriers of economics, religion, class, geography, and politics. Once in a yoga class, we have a driver adjacent to the CEO of a company.” If the practice of yoga were really a matter of money, then the practice wouldn’t really matter. It would just be another commodity. But it isn’t, no matter what the thousand billion dollar advertising engine of the world believes. Choosing yoga is to stop resolving life as a problem and living it as a journey.

Yoga is a practice, not a product. Stepping into a studio is not about buying something – it is about becoming someone. Yoga is many things to many people, but fundamentally it is a pilgrimage. In Mark Twain’s book Innocents Abroad, when the American religion tourists on their luxury steam ship finally reach the Holy Land, and get to the Sea of Galilee, they protest against the cost of the two gold Napoleons for renting a ride on one of the local boats. The boatman, instead of haggling with them, sails away and the pilgrims are left stranded.

Practicing asanas at a yoga studio doesn’t have anything to do with walking on water, but at the end of many hot vinyasa classes one or two yogis will look like they’ve done exactly that, if only because they are totally exhausted or totally refreshed. Yoga does have everything to do with believing in what you do, and being willing to make the sacrifices necessary to become what you believe in, even if it costs one or two gold pieces.

“Nothing in life is really free. If you are serious about something, you are willing to pay for it, “ says Paul Jerard, the director of teacher training at the Aura Wellness Center in North Providence, Rhode Island. “If you truly love yoga, and want to learn more, support your local yoga teacher, or your local studio.”

Teachers keep yoga alive, bringing it to life for their students. Their studios are way stations on the pilgrimage that the practice is.  “One of the things necessary for yoga,” said Swami Krishnananda of the Divine Life Society, “is continuous study under a guide.” Giving ourselves to a yoga teacher is to choose to be elite, because that is what yoga does. It privileges everyone who chooses to make it even a small part of his or her life. It makes anyone who unrolls a mat at their yoga studio as elite as it gets, which has nothing to do with money, but everything to do with awareness and consciousness of self and others.

Even though yoga is not just exercise, asanas are the best known and most accessible of the eight-part path of Patanjali’s Yoga Sutras. “The needs of the body are the needs of the divine spirit which lives through the body,” says B. K. S. Iyengar. “The yogi does not look heaven-ward to find God for he knows God is within.”

Practicing at a yoga studio is never easy physically or financially. It means choosing to be in the company of people who think yoga matters, and not in the company of people who don’t.  It means standing up and making a commitment of time and money. Where we spend our money, rich and poor alike, is where our priorities lie. Ultimately it is not what is in your wallet that is important. It is what you do with what’s in your wallet that really matters.

A version of this story appeared in Elephant Journal.

Ed Staskus posts stories on 147 Stanley Street http://www.147stanleystreet.com and Cleveland Ohio Daybook http://www.clevelandohiodaybook.com. To get the site’s monthly feature in your in-box click on “Follow.”

From Stumbling Blocks to Stepping Stones

By Ed Staskus

   When Krishna Venkatesh, a musician who wrote the score for the yoga documentary movie ‘Enlighten Up’, suffered a serious back injury in 2008, he began a yoga practice, searching for relief. He explored Iyengar and Ashtanga practices, and eventually found the Stone Center for Yoga and Health in Teaneck, New Jersey, outside New York City. He immersed himself in the study of Stone Yoga, an adaptive, therapeutic approach accredited by the Yoga Alliance, in time resolving his back pain.  

   He returned to the music world, recently producing a groove re-mix chant CD with David “Durga Das” Newman, but in the meantime began teacher training at Stone Yoga. After completing his studies, the newly registered yoga teacher began working, with a focus on precise, but case-sensitive alignment.

   That the eponymous Charlotte Stone of Stone Center teaches yoga, much less trains teachers, would have been difficult, if not impossible, to predict in 1973, when she began her yoga journey as a student at the University of Zurich

   “I was born in Philadelphia, but my father was Swiss. We moved to Switzerland when I was ten-years-old.

   “I was studying medieval literature, working part-time for an advertising agency, and doing competitive sports. I was stressed out. One of my friends said, ‘You’ve got to do yoga, because you’re driving all of us crazy.’ He gave me a book called ‘Yoga 28 Day Exercise Plan’. After 28 days I could just about touch my knees.”

   A weight lifter and swimmer, she was undeterred.

   “I’ll be damned if I fail at yoga,” she recalls thinking.

   Going into action was her method for dealing with failure. She found a Sivananda Yoga studio in Zurich and began attending classes. 

   Sivananda Yoga is a traditional system concentrating not only on exercise, but breathing, relaxation, meditation, and diet, as well. “They kept saying, close your eyes, focus on your breath, and I kept saying, when are we going to get to the good stuff, moving, sun salutations. I always skipped savasana because I thought it was a total waste of my 10 minutes.

   “I didn’t understand the benefits of it. But, I stuck with it.”

   Nothing takes the place of persistence. After a year she was able to touch her toes. She continued her efforts and eventually entered into an informal apprenticeship. 

   “They slowly but surely allowed me to ease my way into learning more.”

   But, they warned her against ever teaching yoga to others.

   “You must never teach yoga,” one of her teachers told her. “You are too competitive. You’re going to kill all your students. Never teach yoga, no, no, no.”

   But, within a year, with their blessing, she was teaching an occasional Sunday morning class.

   “I really fell in love with it,” she says. 

   She began to study with physical therapists, medical students, and delved into Iyengar Yoga. “If I was going to tell people how to stand, how to move, I wanted to know more about physical alignment.”

   After returning to the United States in 1977, enrolling at the City University of New York to pursue her master’s degree, and meeting her future husband, she taught power-style vinyasa yoga part-time at gyms.

   She also taught at a small ballet school near Lincoln Center.

   “The school was run by a Russian lady and one day she looked in on what the girls and I were doing. It did not go well,” Charlotte Stone remembers.

   “What are you doing, teaching girls to relax? They are ballet dancers, must never relax! What is belly breathing? No belly breathing in ballet! They must suck belly in!”

   “I regarded that as my exit cue,” she says.

   In the next ten years she married, had two children, and worked in advertising, concentrating on focus groups, and later becoming an analyst. “We worked on issues like what color should the next Maxwell House coffee can be, which was apparently a vitally important question at the time. But, I do have to say, I loved my work. I learned how to really listen and pay attention.”

   She continued to regularly practice yoga, her own Ashtanga-based practice deepening, and continued to teach part-time.

   Then, in the late 1980s she was involved in a near-fatal car accident, which curtailed her professional career. “A truck and I had a close encounter on the George Washington Bridge and the truck won. “

   After recovering from her immediate injuries she was in physical therapy for the next eight months. “It sidelined my ability to travel. I also developed repetitive stress syndrome in my hands from writing so much. I was only able to consult now-and-then.”

   She fell back on her yoga practice, which brought out a side of healing that even her physical therapy couldn’t. She took gentle yoga classes at Kripalu. “It helped open my eyes to people like me, who had injuries.”

   She began to share her newly adaptive style of yoga with others.

   “I found, if I can’t write full-time, yoga is the only other thing I know how to do, so I did that. Whenever I brought it up, it always fascinated everyone. They would ask, what do you like about it, what can it do for me?

   “The yoga began to take off, and I finally decided to put my money where my mouth was and get formally trained.” She enrolled with Phoenix Rising, a Vermont-based training facility that combines old-school yogic wisdom with contemporary dialogue techniques with the aim of guiding practitioners to their edge of deep physical sensation.

   “It was an eye-opener,” she says.

   In 1991 she opened a small studio in Teaneck. “All my friends said they were tired of moving furniture around in my family room for classes. I thought I’m going to give it a shot.” Within five years she had trained as a Structural Yoga teacher, then as a Structural Yoga therapist, and moved the studio to larger quarters. She increasingly worked with people suffering chronic pain.

   “It’s based on anatomy and physiology, and goes far beyond saying do yoga three times a week and call me in the morning,” says Charlotte Stone. “It’s being present for the person and inviting a change to occur.

   “I feel what changed for me happened when I was seriously injured. I realized this body is very precious, that no breath should be taken for granted. It was a huge, huge change in my thinking about yoga.” Her anatomy instructor told her, “Now you’re going to become a good teacher.”

   The art of teaching is the art of awakening the mind, both student and teacher.

   “I used to think yoga was a great sport. In the Yoga Sutras it says yoga should be ‘steady and comfortable’. If you look at some of our yoga today, it doesn’t look steady, and it certainly doesn’t look comfortable. It almost makes me want to send letters of apology to my early students,” she says.

   A member of the International Association of Yoga Therapists, Charlotte Stone blends her experience of Structural Yoga with the adaptive approach of Viniyoga, the ideas of Ayurvedic bodily balance, and the organic movements of Feldenkrais, which is a method of communicating with the unconscious through movement.

   “I’ve come to feel that everyone should have yoga his or her way,” she said, explaining her multi-discipline approach. “It’s not about what you can’t do. It’s about what you can do. I try to make the practice meet you where you are.”

   Stone Yoga’s emphasis is on alleviating pain, reducing stress, and enhancing well-being at every level.

   “Every day I’ve been granted after my accident, I thought, there’s a reason I’m here. It began with me, peeling away all the illusions of who I was. It ended by working with others, who, like me, had to re-build themselves.”

   Out of her past beginnings in yoga had come a new beginning.

Postscript: 

In 2014 Charlotte Stone began expanding Stone Yoga, recently voted #1 in her community for the second year in a row, adding another practice room. “It’s exciting, but, man, it’s expensive exciting!” When asked what priorities she was assigning the new space, she said, “The space will teach us what it’s there for.” 

Ed Staskus posts stories on 147 Stanley Street http://www.147stanleystreet.com and Cleveland Ohio Daybook http://www.clevelandohiodaybook.com. To get the site’s monthly feature in your in-box click on “Follow.”