Tag Archives: The Plaza

Leave of Absence

By Ed Staskus

   The morning Arunas Petkus and I left for California 2500-some miles from Cleveland, Ohio, the Summer of Love was over. It had been a social phenomenon in 1967 when as many as 100,000 people, mostly young, mostly hippies, converged on the neighborhood of Haight-Ashbury in San Francisco, hanging around, listening to music, dropping out and chasing infinity, and getting as much free love as they could.

   We were both in high school at the time and stumbled into the 1970s having missed the hoopla. 

   The Mamas & the Papas released “San Francisco (Be Sure to Wear Flowers in Your Hair)” that year and it got to number four on the Billboard Hot 100. It stayed there for a month, a golden oldie in the making, while the parade across Golden Gate Bridge went on and on. The vinyl single sold more than 7 million copies worldwide. 

   Arunas found a bucket of bolts, a 1958 VW Karmann Ghia, somehow got it going, brush painted it parakeet green, and was determined to hit the open road to see what all the excitement had been about. He also wanted to visit the spot at Twin Peaks where Chocolate George’s ashes had been scattered.

   George Hendricks was a Hells Angel who was hit by a car while swerving around a street cat on a quiet afternoon in 1967 as the Summer of Love was winding down, dying later that night from his injuries. He was known as Chocolate George because he was rarely seen without a quart of his favorite beverage, which was chocolate milk, usually spiked with whiskey. He was a favorite among the hippies because he was funny and friendly. His goatee was almost as long as his long hair, he wore a pot-shaped helmet when riding his Harley, and his denim vest was dotted with an assortment of round tinny pin badges.

   One of the badges said, “Go Easy on Kesey.”

   The writer Ken Kesey had been the de facto head of the Merry Pranksters. Much of the hippie aesthetic traced back to them and their Magic Bus. Arunas was an art student and liked the way the bus was decked out.

   The Karmann Ghia was a two-door four-speed manual with an air-cooled 36 horsepower engine in the back. The trunk was in the front. Unlike most cars it had curved glass all the way around and frameless one-piece door glass. My friend’s rust bucket barely ran, unlike most of the sporty Karmann Ghia’s on the road, but it ran. There was still some magic left in it.

   When Arunas asked me if I wanted to join him, I signed up on the spot. The two of us had gone to the same Catholic boy’s high school and were both at Cleveland State University. We threw our gear and backpacks in the front trunk of the car, sandwiches apples and pears in what passed for a rear seat, a bag of weed in the glove compartment, and waved goodbye to our friends at the Plaza.

   The Plaza was on Prospect Avenue, on the near east side, near CSU. It was an old but built to last four-story apartment building. Secretaries clerks college students bohemians bikers retirees and musicians lived there. Arunas was still living with his parents in the old neighborhood, while I was a part-time undergraduate part-time manual laborer trying to keep my head above water in a one-bedroom on the second floor.

   We got almost as far as the Indiana border before an Ohio State trooper stopped us.

   “Where do you think you’re going in that thing?” he asked us after Arunas showed him his driver’s license. He wrinkled his nose looking the car’s no-primer paint job up and down.

   “California.”

   “Do you know you’re burning oil, lots of it?”

   We knew full well. That was why we had a case-and-a half of Valvoline with us. We had worked out the loss of motor oil at about a quart every two hundred miles and thought our stockpile would get us there.

   “All right, either get this thing off the road or go back to Cleveland,” the trooper said, waving us away with his ticket book.

   On the way back home, we decided to go to Kelly’s Island, since we had sleeping bags and could more-or-less camp out, staying under a picnic table in case of rain. We took the Challenger ferry out of Sandusky, leaving the VW behind. We landed at East Harbor State Park and stayed here until the end of the week. There were a campground, beach, and trails at the park, all we needed. We bought bags of homemade granola and a couple of gallons of spring water at a small store and settled down on a patch of sunshine. We met a gaggle of high-class girls from Case Western Reserve University and played volleyball with them.

   When we got back to Cleveland everybody marveled at our quick turnaround from the west coast and attractive tans.

   “We didn’t actually make it to California,” we had to explain to one-and-all.  “We didn’t even make it out of Ohio.” We had to endure many snarky remarks. When Virginia Sustarsic, one of my neighbors at the Plaza, said she was going to San Francisco and abruptly invited me to try again, joining her, I jumped at the chance. My feet got tangled up coming down when she said she was hitchhiking there.

   “You’re going to thumb rides across the country?”

   “Yes,” she said, in her detached but friendly way. She was a writer photographer cottage craftsman. Virginia was a raconteur when she wanted to be one. She made a living dabbling in what interested her. She lived alone.

   “How about getting back?”

   She explained she had arranged a ride as far as Colorado Springs. She planned on going knockabout the rest of the way, stay for a week-or-so with friends on the bay, and hitchhike back. When I looked it up on a map, she was planning on hitchhiking four thousand-some miles. I didn’t know much about bumming my way on the highway. When I asked, she confessed to having never tried it.

   Our ride to Colorado Springs was a guy from Parma and his girlfriend in a nearly new VW T2 Microbus. Although it was unremarkable on the outside, the inside was vintage hippie music festival camper. It was comfortable and stocked. We stopped at a lake in Illinois and had lunch and went for a walk. I veered off the path and got lost, but spotted Virginia and our ride, and cut across a field to rejoin them. I tripped while running, fell flat on my face, but was unhurt.

   We got to Colorado Springs in two days. The next day I found out what I had fallen into in Illinois was poison ivy. An itchy rash was all over my calves, forearms, and face. I tried Calamine lotion, but all it accomplished was to give me a pink badge that said, ‘Look at me, I’m suffering.’” Virginia’s friends who lived in ‘The Springs’ let me use their motorcycle to go to a clinic. They prescribed prednisone, a steroid, and by the time we got to San Francisco I was cured.

   In the meantime, leaving the clinic, since it was a warm sunny summer day, I went for a ride on the bike, which was a 1969 Triumph Tiger. I rode to the Pikes Peak Highway, 15 miles west, and about half the way up, until the bike started to dog it. What I didn’t know was at higher altitudes there wasn’t enough air for the carburetor. By that time, anyway, I had gotten cold in my shorts and t-shirt. It felt like the temperature had dropped thirty degrees. I turned around and rode carefully down. There was a lot of grit and gravel on the road. I found out later that Colorado snowplows spread sand, not salt, in the winter. The last thing I wanted to happen was dumping the bike. 

   All the way back to town, as dusk approached, I saw walloping jumbo elk deer and antelope. Even the racoons were enormous. I stayed slow and watchful, not wanting to bang into one of the beasts.

   We stayed a few days and hit the open road when my rash was better. There was no sense in scaring anybody off with my pink goo face. We had a cardboard sign saying “SF” and finally hit the jackpot when a tractor trailer going to Oakland picked us up.

   The Rocky Mountains, left behind when the glaciers went back to where they came from, were zero cool to see, although I wouldn’t want to be a snowplow driver assigned to them. It was fair but cold with a high easterly wind the day we crossed them. Every switchback opened onto a panorama.

   Virginia’s friends in San Francisco lived in Dogpatch, east of the Mission District and adjacent to the bay. It was a working class partly industrial partly residential neighborhood. They lived in a late nineteenth century house they were restoring. They went to work every day while we went exploring.

   We stayed away from downtown where there was an overflow of strip clubs peep shows and sex shops. Skyscrapers were going up, there were restaurants offices department stores, but it looked like the smut capital of the United States. Elsewhere, rock-n-roll, jazz fusion, and bongo-drum players were in the air, especially the Castro District and Haight-Ashbury. Dive bars seemed to be everywhere.

   Virginia went to Golden Gate Park and took pictures of winos, later entering one in a show at Cleveland State University. She had a high-tech 35mm Canon. When her photograph was rejected with the comment that it was blurry, she said, “That was the point.” I went to Twin Peaks and took a picture of the spot where Chocolate George’s ashes had been strewn. When Arunas saw it, he said there wasn’t much to see.

   Twin Peaks is two peaks known as “Eureka” and “Noe.” They are both about a thousand feet high. They form a wall to the summer coastal fog pushed in from the ocean. The west-facing slopes get fog and strong winds while the east-facing slopes get more sun and warmth. The ground is thin and sandy. George was somewhere around.

  I showed Arunas some pictures from the summit facing northeast towards downtown and east towards the bay. “Those are nice,” he said, being polite. My camera was a Kodak Instamatic.

   We stayed for more than a week, riding Muni busses for 25 cents a ride. No matter where we went there seemed to be an anti-Vietnam War protest going on. We rode carousel horses at Playland-at-the-Beach and went to Monkey Island at the zoo. We ducked into Kerry’s Lounge and Restaurant to chow down on French fries. We stayed away from all the Doggie Diners. We listened to buskers singing for tips at Pier 45 on Fisherman’s Wharf. Jewelry makers were all over the place. Virginia was on Cloud 9, being an artisan herself.

   When we saw “The Human Jukebox” we went right over. Grimes Proznikoff kept himself out of sight in a cardboard refrigerator box until somebody gave him a donation and requested a song. Then he would pop out of the front flap and play the song on a trumpet. I asked him to play “Purple Haze,” but he played “Ain’t Misbehavin’” instead.

   “I don’t know nothin’ about Jimi Hendrix,” he said.

   Everywhere we looked almost everybody was wearing groovy clothes made of bright polyester, which looked to be the material of choice. Tie-dye was on the way to the retirement home. Virginia dressed classic hippie style while I dressed classic Cleveland-style, jeans, t-shirt, and sneakers. I didn’t feel out of place in San Francisco, but I didn’t feel like I belonged, either. There were no steel mills and too many causes to worry about.

   When we left, we started at the Bay Bridge and got a ride right away. By the time we got to the other end of the bridge the man at the wheel had already come on to my companion. We asked him to drop us off. When he stopped on the shoulder and I got out of the back seat, he pushed Virginia out the passenger door, grabbed her shoulder bag, and sped away. She didn’t keep her traveling money in it, but what did he know? We saw the bag go sailing out the car window before he disappeared from sight and retrieved it. We smelled a brewery on the breath of the next driver and turned him down. After that a pock-marked man asked us if we were born again, and when I said I had been raised a Catholic, he cursed and drove off.

   We liked talking to the people who gave us rides but avoided talking about race religion and politics. I carried a pocket jackknife but wasn’t sure what I would do with it if the occasion ever arose. We never hitchhiked once it got dark, because that was when creeps lowlifes imbeciles were most likely to come out.

   We went back the way we had come, to Nevada, through Utah Nebraska and Iowa to Chicago and returning in the middle of the day to the south shore of Lake Erie. We thumbed rides at entrances to highways, at pay toll gates, and especially at off-the-ramp gas stations whenever we could. Gas stations were good for approaching people and asking them face-to-face if they were going our way. 

   One of the best things about hitchhiking is you can take any exit that you happen to feel is the right one. One of the worst things is running into somebody who says, “I can tell you’re not from ‘round these parts.” We avoided big cities because getting out of them was time-consuming. We avoided small towns because we didn’t want to be the new counterculture niggers in town. We got lucky when a shabby gent in a big orange Dodge with a cooler full of food and drink in the back seat picked us up outside of Omaha on his way to Kalamazoo. He listened to a border blaster on the radio all the way. We ate the sandwiches he offered us.

   Our last ride was in an unmarked county sheriff’s car. He picked us up near Perrysburg on his way to Cleveland’s Central Police station to pick up a criminal. It was the same joint where Jane “Hanoi Jane” Fonda was put behind bars a couple of years earlier. She wasn’t a real criminal and didn’t stay long.

   “They said they were getting orders from the White House, that would be the Nixon White House,” she said. “I think they hoped the ‘scandal’ would cause my college speeches to be canceled and ruin my respectability. I was handcuffed and put in jail.” When she was arrested at Cleveland Hopkins Airport, she pushed Ed Matuszak, a special agent for the US Customs Bureau, and kicked Patrolman Pieper in a sensitive place.

   The city cop later sued her for $100,000 for the boot that made him “weak and sore.” The federal cop shrugged off the shove. The charges and suit were later dropped.

   The Wood County sheriff was a friendly middle-aged man who warned us about the dangers of hitchhiking and drove us all the way to our hometown. When we got out of the car, he gave us ten dollars. “Get yourselves a square meal,” he said. We walked the half dozen blocks to the Plaza, dropped off our stuff, and walked the block and half to Hatton’s Deli on East 36th St. and Euclid Ave. where Virginia worked part-time. 

   There was an eight-foot by eight-foot neon sign on the side of the three-story building. It said, “Corned Beef Best in Town.” We had waffles and scrambled eggs.

   Our waitress lingered pouring coffee, chatting it up while we dug into apple pie. We split a slice. The butter knife was dull, so I used my jackknife. She asked how our cross-country trip had gone. I gave her the highlights while Virginia went into details. When she asked why we hadn’t gone Greyhound, Virginia smiled like a cat, but I put my cards on the table.

   “I had an itch to go, no matter which way got me there.”

Ed Staskus posts feature stories on Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Making the House

By Ed Staskus

   Dave Bloomquist ran the show at the Plaza Apartments, trying to make it work on the near east side, on the fringe of Cleveland State University. What we called the house was on Prospect Avenue, a $.25 fare on a creaky CTS bus ten minutes downtown to Public Square. The ghetto was uptown. The house was its own place.

   Dave was from Sandusky. “The town, which is sluggish and uninteresting, is something like an English watering-place out of season,” Charles Dickens wrote after visiting it. A hundred years later it was known for Cedar Point, a big amusement park on a peninsula jutting out into Lake Erie. After high school Dave moved to Cleveland to study visual and fine arts at CSU.

   “Art held a natural attraction for me, and it was something I wanted to pursue,” he said. “My dad was an electrician, and I helped him run wires and other simple tasks. I also worked during college, renovations, painting, things like that. After graduation, my business partner and I scraped together a down payment on the 48-unit Victorian-style Plaza. We decided to restore it ourselves.”

   Dave was always in in and around the building. Whenever anything went wrong, it didn’t take long to find the owner superintendent maintenance man. If he wasn’t nearby, his ex-wife-to- be, Annie, tall slim, her hair done up in braids, was right there cooking cleaning taking care of their baby boy. Built in 1901 for middle-class residents, something was always making trouble at the Plaza.

   “We learned to sweat pipe, patch the roof, and fix windows,” Dave said. “We had to operate with just rent money. We couldn’t afford to call on anyone for help.”

   Back in the day Upper Prospect was the second most prestigious place to live in Cleveland, next to Millionaire’s Row on Euclid Avenue. Prospect and Euclid were where to be, smoking rooms of the city’s economic and social elite. Most of the homes on Prospect were brick two-story single-family houses in the Italianate style. The street was lined with elm trees.

   By the time I moved into the Plaza, all the rich folks were long gone, and Dutch elm disease had killed most of the trees. It was killing most of the elms in all but two states east of the Missouri River. What hadn’t died was being sprayed with DDT or removed.

   The entry point for the bug was Northeast Ohio in 1929, on a train bringing in a shipment of elm veneer logs from France. The train stopped south of Cleveland to load up on coal and water. Not long afterwards elm trees along the railroad tracks started to die. The elm bark beetle doesn’t hurt the tree, but the fungus it carries is deadly.

   There were rowhouses scattered among the single-family homes, which included the Prospect Avenue Rowhouses, still there, that Dave was throwing his eye on. He had more than enough work on his hands, but he was a no slouch go-getter. Preservation and restoration efforts on Upper Prospect were just beginning to pick up steam.

   The Plaza was home to students secretaries hippies machinists artists bikers clerks musicians court reporters anarchists activists warehouse men and writers, some in full swing, some shaking and baking the wolf at the door, everybody coming and going.

   “We were urban pioneers before the term was coined,” said Scott Krauss, a drummer for the art-rock band Pere Ubu. “Like the Jefferson Airplane and the Grateful Dead had their band houses, we had the Plaza.”

   “There were scores of wonderful community dinners, insipid and treacherous burglars,” Dave Bloomquist said years later when it was all over. “Innocence was lost. There were raucousoutrageous parties. Families were formed and raised and there were tragic early deaths of close friends. But music, art and life were in joyful abundance all the time.”

   There was an abundance of old-fashioned seediness, too.

   “I remember coming home at four in the morning and there would still be people in the courtyard drinking beer and playing music,” said Larry Collins. “We would watch the hookers and their customers play hide-and-seek with the undercover vice cops.”

   One of the first friends I made was Virginia Sustarsic. I had seen her around Dixon Hall up the street before I moved to the Plaza. She was close to John McGraw, a trim bohemian who lived alone on the third floor, read obscure European poets, drank Jack Daniels from the bottle, and drove a 1950s windowless black Chevy panel truck.

   Virginia had interned at the Cleveland Press, worked on CSU’s student newspaper, and wrote for the school’s poetry magazine. Since she was settled in at the Plaza, was friendly, and worked for herself, she made friends easily, and I subsequently found friends by hanging around with her.

   She knew all about art. I didn’t know anything. When she showed me a picture of an American flag by Jasper Johns, I found a big used flag and thumbtacked it to the wall at the head of my bed. When she showed me a picture of a Jackson Pollack painting, I thought, what a mess.

   Virginia made candles, incense, and roach clips for a head shop on the near west side. The owner of the shop, Jamie, was a little older than us and square-jawed. He wore a red checked bandana and liked to go barefoot. He pulled up in a mid-60s VW T2 bus, Virginia delivered the goods, he would say he had a great idea for going someplace fun, as many people who could fit would pile into the Splittie, and he would drive to a park a beach or a grassy knoll overlooking a cemetery.  

   Jamie always played The Who’s “Magic Bus” at least once every trip, there and back. “Thank you, driver, for getting me here, too much, Magic Bus, now I’ve got my Magic Bus.” The speakers were tinny, but the volume made up for it.

   We went to see “Woodstock” the movie, since none of us had gone to the music festival, at a drive-in. Virginia’s roach clips came in handy. The Splittie’s back and middle seats could be pulled out. It was groovy at drive-ins, backing the bus in to face the screen, some of us in the seats on the ground, others in the open rear of the bus, and Jamie with his gal on top, an umbrella at the ready. 

   Nobody wanted to be sitting behind Mike Cassidy, who was skinny enough, but had a massive head of long fuzzy electrified red hair.

   Virginia was hooked on photography and showed me the ropes, letting me use her camera. When a photography contest was announced at Cleveland State University, she entered a picture she had taken in San Francisco and I entered a picture of Mr. Flood.

   Bob Flood lived on the second floor, like me. None of us knew what he did, exactly, although he wore a hat suggesting he was a locomotive engineer. Virginia thought he was a professor of some kind. Everybody called him Mr. Flood. Nobody knew why. He was a lean careful man, sported a shaggy looking beard, was divorced, but had visitation rights to his two kids, who came and played in his apartment weekends.

   My picture was a portrait and Virginia’s a full-scale shot of two homeless men in Golden Gate Park, passing a bottle of booze between them. The trees in the background disappeared into a triangle. After I won the blue ribbon, Virginia went to the art department and talked to one of the judges.

   She told him she had been trying to conjure the Pointillism of Georges Seurat.

   “Well,” he said. “The portrait and your picture were our top picks. But yours was kind of grainy.”

   “That was the whole point,” she said. 

   Virginia’s best friend at the Plaza was Diane Straub.

   Diane had a straight job. She was a secretary downtown. She got up every morning, got on the bus, went to work, and came back at night. Monday through Friday she took care of her apartment and her cats. But, on weekends she got psychedelic. She also got up as Bogie’s old lady.

   Bogie was Diane’s live-in boyfriend. He was rangy and always wore black, tip to toe. He had a Harley Davidson he kept in the back lot. Nobody ever tried to steal it, because everybody knew that would be a big mistake.

   He was one of the Animals, although he and the other Animals had been forced to go freelance. They used to have a clubhouse, its walls pockmarked with bullet holes, on Euclid Avenue in Willoughby, until the day the Willoughby police raided it.

   “The police couldn’t get anything on us, so they hot-wired the landlord to force us out,” one of the Animals, Gaby, told the Cleveland Press. “We never did anything worse than use the clubhouse walls for target practice.”

   Gaby knew there was more to the story. His biker clubmate Don Griswold had been arrested the day before for being involved in a shooting with members of Cleveland’s Hells Angels that left two dead.

   “The Angels were going to take care of me if the cops didn’t do it first,” he said. “Misery loves company.”

   The spring before my first full summer at the Plaza, Cleveland’s Breed and Violators got into it at a motorcycle show at the Polish Women’s Hall southeast of the Flats. The 10‐minute riot with fists clubs knives chains left 5 men dead 20 Injured and 84 arrested.

  The dead were buried, the hurt rushed to hospitals, and the arrested hauled away to the Central Police Station on Payne Avenue. The Black Panthers were always demonstrating outside the front doors, but they had to make way. Extra armed guards were posted in hallways and doorways as a precaution. When the injured bikers recovered, they were arrested.

   Art Zaccone, headman of the Chosen Few, said the fight broke out because of trouble between the two groups going back to a rumble in Philly two years earlier. The biker gangs didn’t ride on magic busses. They rode hogs. They made their own black magic. They had long memories and never forgotten forgiven grievances.

   After Bogie moved out, Diane took up with Igor, a math wizard. He was tall, had long dark wiry hair, and played air guitar. Even though he was egg-headed about numbers, he often looked like he was half there.

   “We all thought he was tripping a lot,” Virginia said.

   I lived in a back apartment on the second floor, Virginia lived in a side apartment on the same floor, and an older Italian couple Angeline and Charlie Beale lived in the front. They always had their apartment door open. Charlie was short and stocky, a retired mailman. He read newspapers and magazines all day long.  Angie was stout with wavy hair. She stayed in the kitchen all day long cooking in a black slip. 

   They had a parrot. Whenever Angie spied Virginia walking by, she called out, “Oh, honey, honey, come in, let me see if I can get him to talk to you.” She would coo and try to convince the parrot to talk. He never did, even when she poked him with a stick. When she did, he whistled and squawked. He sounded offended and tone-deaf.

   “How long have you had that parrot?” Virginia asked, thinking they were still training him.

   “Oh, we’ve had him for sixteen years, honey.”

   Angie and Charlie went shopping for foodstuffs a few times a week. They walked down Prospect Avenue to the Central Market. “They started out together, but ended up a block or more apart,” Dave said. They both carried handmade cotton shopping bags, one in each hand.

   The Central Market was on East 4th St., nearly two miles away by foot. The only people who went there were people who couldn’t get to the West Side Market. It was grimy, and the roof leaked. “Some panels are out, and when it rains, we have to put plastic tarp down. That looks like hell,” said produce stall owner Tony LoSchiavo.

    “She always walked twenty feet behind him,” Virginia said. “A couple of hours later, same thing, both of them their two bags full, he would be walking twenty feet ahead of her as they came back to the Plaza.”

   He waited at the front door, holding it open for her. She trudged up, he followed her, and the parrot every time said, “Welcome back!” when they stepped into their apartment. Angie returned with vegetables like asparagus and nuts like filberts for the thick billed brightly colored bird.

   Most of the tenants at the Plaza were on good terms with one another. Many of us were single and sought out company up and down the floors and down the hallways, especially in January and February when snow piled up. We visited one another and chewed the fat.

   “Friends would just drop in,” said Virginia.

   One Siberian Sunday Mr. Flood’s kids were visiting and went exploring in the basement. They found a red metal and wood Flexible Flyer. Their father bundled them up and carried the sled outside. When they got tired of pushing each other back and forth in the parking lot, they found a shovel and scooped snow onto the back stairs as far up as the first landing. They shoveled enough snow on the stairs to make a ramp and spent the rest of the day running across the landing, throwing themselves on the sled, racing down the ramp and zooming across the icy lot.

   Mr. Flood and I watched them from the second-floor landing.

   “They’re up to snow good,” he joked laconically when they hit bottom bumped up and got some air under their sled.

   “They’re on their own magic carpet ride,” I said.

   “It takes one to snow one,” the kids whooped back at us.

Ed Staskus posts feature stories on Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Ace in the Hole

By Ed Staskus

   By the time Dave Bloomquist set foot on Prospect Avenue the street had been there for more than a century. It is one block south of Euclid Ave, which between 1870 and 1930 was known as Millionaire’s Row. Nearly 250 houses ran along its 4 golden miles. Some of them were as big as 50,000 square feet on lots of 6 acres. One of them owned by Sam Andrews kept 100 servants to make sure the mansion made it through the day.

   On Sundays everybody paraded to church dressed in their best. At the time it was called “The Most Beautiful Street in America.” High-spirited sleigh races in winter attracted thousands, lining the 30 blocks between East 9th and East 40th Streets to watch. In the spring children busted out to the many small parks within running distance.

   Prospect Avenue was a second cousin, but the cousins were well-to-do. It housed the upper middle class, lawyers, doctors, and businessmen. Rowhouses were built between 1874 and 1879 near East 36th Street in Gothic Revival, Italianate, and Second Empire styles. A grand house was built in 1883 for Sarah Benedict, the widow of Cleveland Herald publisher George Benedict. The five-story Plaza Apartments was built in 1901.

   Dave Bloomquist grew up in Sandusky, in northern Ohio on the shores of Lake Erie, midway between Toledo and Cleveland. Back in the day the Wyandots called the spot Soundustee. It means cold water. 

   “I was recruited my senior year in high school by Findlay University on a basketball scholarship, but was disciplinarily dismissed after the winter semester of 1968,” he said. He quickly pulled up his dorm room stakes and went to Colorado. “I was avoiding arrest on a possession and sales charge but was eventually picked up and extradited back to Ohio. When I got out on bond I petitioned for probationary enrollment to Cleveland’s Tri-C.” 

   It was one of the only higher education schools of any kind in Ohio that offered that kind of re-entry opportunity. Keeping his nose clean and finishing with a 3.5 GPA he was able to later transfer to Cleveland State University. In the meantime, in between classes, he needed a job. When the Auditorium Hotel posted a stock boy position on the community college’s job board, he went downtown.

   “The manager’s assistant assumed I was there for another positing, for night auditor, since I showed up in a jacket and tie. I fabricated math and accounting skills on the spot and was hired.”

   The 10-story hotel built in 1927 was on the corner of East 6th Street and St. Clair Ave. There were 420 rooms. It was close to everything because everything was close-by.

   “Most of the rooms stayed mostly empty, except when the Metropolitan Opera came to town,” Dave said. “That’s when my limited skills with the NCR auditing machine and the Lilly Tomlin-style switchboard became obvious. The three manual elevators were operated by retired prostitutes. The second shift bell captain was a city supervisor during the day, but at night became the procurer for all the shady desires of the guests. The hotel had off-duty policemen moonlighting as security, who were good at raiding the restaurant refrigerators for steaks and regaling me with crook stories.”

   He was the last night auditor at the Auditorium. Six months after he started the hotel closed. Soon after it was demolished. Married and with an infant son, he dropped out of a school for a quarter to work full-time. When he went back to Tri-C, he worked as a student assistant in the Art Department and the night shift at a local psychiatric hospital. When he moved on to Cleveland State University, he again found work in the Art Department and became director of the university’s daycare, as well.

   The psychiatric hospital hadn’t driven him crazy. Infant crying and irritability weren’t going to, either. When he became the janitor at the Plaza, it didn’t test his mental and physical health overmuch.

   “Ruby and David, the janitors at the Plaza, moved out and Betty Basil, the manager, offered me the job. I had to sweep the halls, shovel the snow, cut the grass, and empty the three big trash barrels. I was also paid $50 for every room that I painted.”

   The work is messy, and the mess is always back the next day. It can drive a good man crazy. Janitors work odd hours and are prone to a high risk of trips slips falls, repetitive motion misery, and musculoskeletal injuries caused by overexertion. More than 46,000 janitors suffer work-related mishaps every year requiring time off, according to a report by the National Safety Council.  

   “Overall, most things were dutifully and patiently taken care of.” When you have the patience to do simple things well you get the hang of doing the dirty work.

   Keeping the grounds and premises clean gave him a window into the workings of the building. When he met Allen Ravenstine, he knew as much about the Plaza as anybody. Allen was mulling over what to with the inheritance he received after both his parents died in an accident. He had abandoned collegiate life and was re-making himself as a musician.

   “He was working with EML synthesizers and jamming with others engaged in experimental music,” Dave said. “But he was keen on being more personally engaged with his recent windfall. He was concerned that it was helping IBM and other blue-chip corporations that were supporting a government and a war.”

   The Vietnam War had gone full-scale big sky extravaganza. The ten-day Christmas Bombing of 1972, targeting Hanoi and Haiphong, was accomplished by B-52s. They were the biggest bomber strikes launched by the United States Air Force since the end of World War II. Other than blowing up lots of “major target complexes,” it didn’t get anything done. 

   After the titanic struggles of the past ten years, 1973 dawned with a new peace agreement. It was repeatedly violated by both sides as the struggle for power and control in South Vietnam continued. Nobody knew that by the end of the year there would hardly be any American combat forces left in the country and after that it was just a matter of time before Charlie won the war.

   “With the help of some wine and some smoke Allen and I discussed a wide variety of investments,” Dave said. “We talked about publishing and selling stories and poetry like City Lights, opening an art gallery, and getting an experimental music venue in the works. But as these interests were unlikely to go beyond a hobby that drained his resources, which were meant to sustain him into full adulthood, and some kind of career, one by one they were tabled.”

   After more talk and more ideas tabled as no good, Dave floated the notion of buying the Plaza Apartments and using the revenue from it to support their art enterprises.  At the time it was owned by the family who also owned Blonder Paints at East 39th St. and Prospect Ave. Blonder went back to 1918 when a cigarmaker and a paperhanger got it off the ground. They sold paint, varnish, and paperhanging supplies, both wholesale and retail. By the 1950s it was the country’s 6th largest wholesaler of wallpapers. 

   “We learned the family might be open to a purchase offer, so we got started. It was the days of red lining and white flight. We had difficulty finding an appraiser who would even look at the building. Of course, no banks would talk to us.”

   Working with Everett Pruitt, Sr, a black realtor and appraiser with an office on East 86th St. and Cedar Ave they got a number on which to base an offer. “Everett helped us draft a land contract that was reviewed by Allen’s attorney and his older brother, who both thought we were nuts. We then manned up, dressed up, made a call and made an offer. After a little back and forth we struck a deal. We got the Plaza, the Victorian house next door, and the parking lot for $62,500.  I put in every penny my wife Ann and I had, which was $1,000, and Allen contributed the remaining amount, which was $9,000. The balance was amortized over 15 years. We formed Corona Unlimited, a partnership agreement based on a handshake and a toast.”

   They paid themselves $75.00 a week and lived rent-free. When a six-room front apartment on the top floor came open, Dave, Ann, and their son moved up from their small second floor rooms.

   “Mike Roccini was living in that suite,” Dave said. “He was a writer, some magazine articles and a novel. He graduated from the University of the Americas in Mexico City in pharmacy with a taste for tequila and cigars. After coming down with a heart ailment he retired from dispensing drugs and spent most of his time in what he called his Moose Hall writing, with breaks to check the mail and report to his office at the bar of the Sterling Hotel. His wife Speedy was a schoolteacher.”

   She kept him flush in pencils and paper. It was when the fourth-floor walk-up became too much for Mike that he and Speedy moved to a farm east of Cleveland. None of the chickens complained about his cigar smoke, fearing for their heads.

   To make ends meet Dave tended bar weekends at the Viking Saloon, helped out at the Mistake, and filled in at the Library when they were short-staffed. The Library was popular with CSU students and local bohemians. It was at East 37th and Prospect, in what had been the Benedict House, long past its glory days. The students drank too much and got into fights and the bohemians argued too much, even though it never mattered who won or lost.

   He went to work at the Round Table, an old downtown German restaurant. 

   “It had become a tired-out attorney’s bar with most of the grand old rooms empty. A young hustler from Lakewood convinced the owner to convert all three floors to a music venue. It was wildly successful. But bar tending was tailor made for my increasingly flagrant infidelities. After we purchased the Plaza, Ann grew tired of it and found sympathy and comfort from Allen.”

   Even so, the partnership continued for a dozen-and-more years. They used the rental income from the 48 apartments for operating expenses and renovations. With a 30% vacancy rate, a mortgage at 17%, insurance for an old building, taxes and utilities, it ate up most of the income. Renovations meant DIY for almost everything.

   “There was an old hardware store on Euclid just east of 55th Street, owned by Mr. Weiss. Before buying the Plaza, I got to know him and his helpmate Jimmy in my role as janitor of the building. Their stock of plumbing and building supplies dated back at least 50 years, which is a great resource when keeping an 80-year-old building alive. Since I was limited in my knowledge of trade skills it meant I would frequently go to Mr. Weiss or Jimmy for information on how to sweat pipe or wire a switch. They were very generous with their knowledge, if sometimes humored by my ignorance. They knew we were committed to the neighborhood.”

   The rigors of living it up on the late-night rock ‘n roll bar life roller coaster finally proved to be too much. He left his accustomed haunts to tend bar at the Elegant Hog on Playhouse Square. “It had an older crowd that tipped much better, and they closed much earlier.” He put his nose to the grindstone and the Plaza got better month by month. The vacancy rate went down, and the waiting list went up.

   Dave wasn’t lord of the manor, not by a long shot. Upper Prospect wasn’t anybody’s magic kingdom. Those days were done and gone. He was more like the Prince of Prospect, a hammer, wrench, and screwdriver part of his coat of arms. When the roof leaked or the boiler faltered, he put on his coat and went to work.

Ed Staskus posts feature stories on Paperback Yoga http://www.paperbackyoga.com 147 Stanley Street http://www.147stanleystreet.com and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”